Poems
Poems from Asylum
Obituary #1
May 21, 1986. Truman Willard Cottom, after a long illness, died trailing the perfume of a hundred women, including his two daughters.
Melancholia
Child-deer, mute to the world,
pillowed in grasses by day,
leaping in night's blue fields.
Veiled from the clatter of lights
and sights of the hunter's rifle.
The moon, a psalm,
the heavens blinking their white
tails in woods far away.
Bark, hazelnuts, budding
willow. Loneliness flecked
with sleep. Forest aflame,
you enter the highway that cleaves
branches and streams, wildered
by the hum of human endeavor.
You paw the night, keen the loss
of your fawn's faint heart.
Poems about Fiji
(from a work in progress)
Water-borne
(published in Bronze Bird Review)
As night unveils Venus and Alpha Centauri,
the ferry inches south, twelve miles distant,
rocking as though the ocean's open palm.
Below, a water goddess lifts angelfish,
olive turtles, island and cays.
I, who cannot resist
the undertow, swam the Pacific near San
Clemente--saint of sailors--and Santa
Monica (revered for her tears); at Rose Island,
dove to a jewel box of fish. Waves
to the ocean floor, I touch the feet
of the goddess, pregnant with sand and salt,
she who buoys with her deep-dyed swelling,
this lofting mother's belly.
A World Away
In March of 2005--autumn in the southern hemisphere--we moved into a one-room, ten-sided house in Fiji that looked out at the Pacific across a valley lush with vaivai and voivoi trees. The water was teal and shallow near the beach. Waves lapped the shore twice a day, tumbling lava rocks amid layers of light. Men walked down the dirt road by our house and up the hillsides to their plantings of taro, kava, and cassava. Their voices echoed in the trees as did the pings and clicks of flying fox bats that swooped around our house in late afternoon. The Fijians' greetings--bula! bula!--lingered in the fronds of coconut palms and in hibiscus blooms along the road, comforting us as a braided life.




Offered here are sample poems from Caroline Cottom's poetry collection, Asylum (Main Street Rag), and from a manuscript of poems in progress called Passage to Fiji.
Reelfoot Lake, West Tennessee
Our house in Fiji
They Nod to Me
(published in Last Stanza Poetry Journal)
I had not imagined mud dauber wasps,
musk-breasted parrots, or a goshawk
speaking to me, although in Tennessee,
a bluejay with broken wing had hopped
onto our porch, asking for help.
The jay allowed us to lift it into a box
to be carried to a rescue center for mending.
On a visit to New Zealand from Fiji,
we heard of a small bird—a fantail—
friendly with humans. I met one
fluttering on a woodsy trail, stopped,
held out a stick, and the fantail hopped on.
As the Fiji years swept through, I heard
voices of a tiny spider, a ghost owl,
and the islands themselves.
Steeped in the forest, Emerson wrote,
I am not alone and unacknowledged.
They nod to me, and I to them.
They were there all along, weren’t they?
Weren’t they.
Cyprus, Left Standing
My mother loved this lake,
its shallows and throngs
of snowy egrets--Reelfoot
Lake, the compass
my ancestors called home.
I imagine a girlhood:
family outings--sweet corn,
fried chicken, red-checked cloths
--but the images flicker
in black and white.
After earthquakes
and Mississippi floods created
the lake, loggers felled every tree
whose roots were under water.
Cypresses still standing
seem to whisper, foxes
and red-winged blackbirds
call out my name.
I kneel by my mother's grave,
feel her on the banks,
in the fields, hear her in the muted
wing beats of a great blue heron
as egrets fill the trees
with blossoms of lace.